Expectation

Context: Nature based

Media: Installation

Size & dimension: The work is three dimensional. Size is length 20 feet x wide 1 feet x height 15 feet (Approximately)

Materials: Corrugated board, colour, canvas, string etc.

Event: “Horitt” (Green), an Environmental art camp arranged by ‘Santaran’ art organization in collaboration with ‘Purba’ eco village, Chittagong.

Venue: Purba Eco Village, Charia, Chittagong, Bangladesh

Year: 2008

Desire for green

Context : Nature based

Media: Environmental art

Size and dimension:The work is three dimensional. Size is 8 feet x 5 feet x 2 feet(Approximately)

Materials: Banyan plant, clay, water etc.

Venue: Purba Eco Village, Charia, Chittagong, Bangladesh.

Year: 2008

Event: “Horitt” (Green), an Environmental art camp arranged by ‘Santaran’ art organization in collaboration with ‘Purba’ eco village, Chittagong.

Concept: I think I am also indirectly sufferer by the dot or natural disaster which is occurred any parts of the world. That’s why I made a crack land figure with clay on the ground by the shadow of myself. Tree plantation is the main source to protect natural disaster. In this case I choose the “Banyan tree “. The Banyan tree is not profitable, so nobody plant this tree rather it is uprooted as because it is harmful for the buildings. But its roots are developed for a long distance and very helpful to protect the soil fall down. Banyan tree has a medicine action and its small fruits are eaten by the most of the birds. We can see the “Banyan tree” in the poems, stories and songs in the ancient Bengali literature. Today this tree is mostly careless. I plant a Banyan plant by the left side of the crack land figure’s torso. We have to love green trees by the heart. The nature is very eager for the green today. So we have to thirst of the nature by tree plantation. We also live if the nature is calm and quite. That’s why I water the whole crack land figure with the water after the plantation of the Banyan plant.

Continuation

Content: Social violence

Media: Installation

Size: 7 feet x 10 feet

Materials: canvas, colour, sands, computer print on tracing paper, copper, plastic toy gun etc.

Venue: National Museum Art Gallery, Dhaka, Bangladesh

Year: 2005

Description: The faces shown in the newspapers are no more in this world. Some criminals are being punished or will be punished but there are many victims who are deprived of proper judgment. If they ask for judgment, their ultimate destiny will be newspaper-headline like their predecessors. Bangladesh became independent at the cost of lives and dignity of thousand ladies. But still now women we being oppressed or killed, no one notice it. As we are the people of a sovereign country it is high fire for us to think about the next target of the criminals.

Mother language day

Media: Performance and installation

Materials: Palash flower, stone dust, ribbon, books etc.

Venue: Jagatpur Orphanage, Raujan, Chittagong, Bangladesh

Event: Installation art Workshop arranged by ‘Britto Arts Trust’ Bangladesh in collaboration with ‘Pousses Rouges’ France

Year: 2004

Look to one's own back

Context: Childhood

Media: Installation

Dimension and size: The work is three dimensional. Size is 20 feet x 10 feet x
10 feet (Approximately)

Materials: Iron rods, canvas, colour, wood, computer print on paper, mirror, spot light, wooden frames etc.

Venue: National Museum Art Gallery, Dhaka, Bangladesh

Year: 2005

Description: I made the canvas like a slate to understand infantile. I tried to draw like a child. I still remember to draw the unknown black bird by the eighteenth consonant of the Bengali Alphabet. Picture drawing started by that and that was drawn first in the slate. While I was drawing sometimes the pencil was dropped from the paper on now and then. I Work outside of the canvas to understand the factor by iron rode. Mirror has been used to rise in one’s mind. Now slate is not seen. Many things will be changed in course of time. But my childhood memories will be unchanged in my mind forever.

Source

Context: Our culture and myths

Media: Performance & installation

Materials: Aerial roots of banyantree

Venue: Jagatpur Orphanage, Raujan, Chittagong, Bangladesh

Event: Installation art Workshop arranged by ‘Britto Arts Trust’ Bangladesh in collaboration with ‘Pousses Rouges’ France

Year: 2004